Stray Dogs 2013 CHI SUB ENG, ITA 720p BluRay x264

Category: Movies
Type: HD
Language: Chinese
Total Size: 5.3 GB
Uploaded By: BoogerSan
Downloads: 38091
Last checked: Jun. 20th '26
Date uploaded: Jun. 20th '26
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Stray Dogs

Stray Dogs

Drama

A father and his two children wander the margins of modern day Taipei, from the woods and rivers of the outskirts to the rain streaked streets of the city. By day the father scrapes out a meager income as a human billboard for luxury apartments, while his young son and daughter roam the supermarkets and malls surviving off free food samples. Each night the family takes shelter in an abandoned building. The father is strangely affected by a hypnotic mural adorning the wall of this makeshift home. On the day of the father's birthday the family is joined by a woman - might she be the key to unlocking the buried emotions that linger from the past?

INFO HASH: 64F9A6913677735965F870F842F525DE31C77DDD



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Year: 2013
Country: Taiwan, France
Director: Tsai Ming-liang
Cast: Kang-sheng Lee, Kuei-Mei Yang, Yi-ching Lu, Shiang-chyi Chen
IMDB: Link

Language : Mandarin
Subtitles : English, Italian



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Were one to walk the streets of Taipei, ride its elevated MRT lines, and pass by the imposing structure of the Taipei 101 and the malls that surround it, one would likely find — with just a modicum of effort — the rundown, low-level structures and neglected spaces that comprise Tsai Ming-liang’s 2013 film, Stray Dogs. Environs such as these have never been far from the director’s mind, with Rebels of the Neon God, The River, and Goodbye, Dragon Inn each exhibiting a palpable awareness of the rundown, sodden, and abandoned lacunae of the Taiwanese metropole. But where in those prior works dramatic tendencies emerge, in ever-dwindling degrees, throughout, Stray Dogs is the first feature work that comes close to standing as a cartography of the urban environment and the poetic abjection of the human faces found in the forgotten regions and forlorn conditions of such a place. Revolving around the aching struggle — of a father (Lee Kang-sheng) and his two children — to survive in modern Taiwan, Stray Dogs observes its trio as they work menial jobs, steal from supermarkets, dig through trash, and wash in public toilets and finally return to a home that is little more than a makeshift shed made of plastic and corrugated metal. Since the mid-2000s, Tsai has fundamentally pared down and elongated his style, deemphasizing dialogue even more in order to achieve narratives that strive for a direct experience of time and movement — or, as is more often the case, the abundance of the former and the total absence of the latter.

While Tsai’s Walker shorts might be the most extreme examples of this shift in formal approach, Stray Dogs is its ultimate expression in the form of narrative filmmaking, a crystallizing unity found in the director’s presentation of narrative and performative desolation and the abandonment his cityscapes have always known. Yet, perhaps most powerfully, it is here that Tsai eschews his prior flirtations with fatalism and metaphysical cruelty for an expression of pain and despair that demands total empathy — a power in and of the image little matched elsewhere in his filmography. Indeed, it is in the stillness and protracted nature of shooting rhythms the director has been refining over the course of his career that Tsai is able to explore the full range of human emotion, regularly moving scenes through feelings of joy, despair, anger, and more as they evolve, twist, and unravel within their environments; which are, here, uniformly dilapidated and compound the overbearing sense of despair and hardship the family faces. Shots often last many minutes in length, such as the film’s climactic scene: an unbroken, 14-minute take of characters staring at a wall, which expresses the all too tangible nature of poverty. It is the genius of this shot’s duration which highlights the meaning here: the wall as an impassable, blank reflection of the self under conditions of bare life. The film’s final image, then, underscores the cruelty of dated ideology or migrated capital; the broken concrete, rusted metal, and molded wood one calls home. That there are few words is only right, even if one should ideally have experience of Taipei’s streets, for the film is but a stunning tapestry of diegetic sound and faces reflected in walls that shouldn’t be mirrors. (Matt McCracken)




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[ About file ]

Name: Stray Dogs.Tsai Ming-liang.2013.BluRay.mkv
Date: Tue, 09 Jun 2026 22:16:31 +0200
Size: 5,679,808,643 bytes (5416.687625 MiB)

[ Magic ]

File type: Matroska data
File type: EBML file, creator matroska

[ Generic infos ]

Duration: 02:15:47 (8146.592 s)
Container: matroska
Production date: Thu, 26 Feb 2015 17:01:54 +0200
Total tracks: 3
Track nr. 1: video (V_MPEG4/ISO/AVC) {und}
Track nr. 2: audio (A_AC3) {und}
Track nr. 3: subtitle (S_HDMV/PGS) {eng}
Muxing library: libebml v1.3.1 + libmatroska v1.4.2
Writing application: mkvmerge v7.6.0 ('Garden of Dreams') 64bit built on Feb 8 2015 13:04:34

[ Relevant data ]

Resolution: 1280 x 720
Width: multiple of 32
Height: multiple of 16
Average DRF: 19.412118
Standard deviation: 4.829782
Std. dev. weighted mean: 4.714007

[ Video track ]

Codec ID: V_MPEG4/ISO/AVC
Resolution: 1280 x 720
Frame aspect ratio: 16:9 = 1.777778
Pixel aspect ratio: 1:1 = 1
Display aspect ratio: 16:9 = 1.777778
Framerate: 24 fps
Stream size: 5,089,665,755 bytes (4853.88351 MiB)
Duration (bs): 02:15:47 (8146.541536 s)
Bitrate (bs): 4998.111881 kbps
Qf: 0.225971

[ Audio track ]

Codec ID: A_AC3
Sampling frequency: 48000 Hz
Channels: 6
Stream size: 586,554,624 bytes (559.38208 MiB)
Bitstream type (bs): AC3
Frames (bs): 254,581
Duration (bs): 02:15:47 (8146.592 s)
Chunk-aligned (bs): Yes
Bitrate (bs): 576 kbps CBR
Sampling frequency (bs): 48000 Hz
Mode (bs): 3 front, 2 rear, 1 LFE

[ Video bitstream ]

Bitstream type: MPEG-4 Part 10
User data: x264 | core 144 r2525 40bb568 | H.264/MPEG-4 AVC codec
User data: Copyleft 2003-2014 | http://www.videolan.org/x264.html | cabac=1
User data: ref=9 | deblock=1:-2:-2 | analyse=0x3:0x133 | me=umh | subme=10
User data: psy=1 | psy_rd=1.00:0.00 | mixed_ref=1 | me_range=32 | chroma_me=1
User data: trellis=2 | 8x8dct=1 | cqm=0 | deadzone=21,11 | fast_pskip=0
User data: chroma_qp_offset=-2 | threads=12 | lookahead_threads=1
User data: sliced_threads=0 | nr=0 | decimate=0 | interlaced=0
User data: bluray_compat=0 | constrained_intra=0 | bframes=5 | b_pyramid=2
User data: b_adapt=2 | b_bias=0 | direct=3 | weightb=1 | open_gop=0 | weightp=2
User data: keyint=240 | keyint_min=24 | scenecut=40 | intra_refresh=0
User data: rc_lookahead=100 | rc=2pass | mbtree=1 | bitrate=5000 | ratetol=1.0
User data: qcomp=0.60 | qpmin=0 | qpmax=69 | qpstep=4 | cplxblur=20.0
User data: qblur=0.5 | vbv_maxrate=62500 | vbv_bufsize=78125 | nal_hrd=none
User data: filler=0 | ip_ratio=1.40 | aq=1:1.00
SPS id: 0
Profile: High@L4.1
Num ref frames: 9
Aspect ratio: Square pixels
Chroma format: YUV 4:2:0
PPS id: 0 (SPS: 0)
Entropy coding type: CABAC
Weighted prediction: P slices - explicit weighted prediction
Weighted bipred idc: B slices - implicit weighted prediction
8x8dct: Yes
Total frames: 195,517
Drop/delay frames: 0
Corrupt frames: 0

P-slices: 37890 ( 19.379 %) ####
B-slices: 156771 ( 80.183 %) ################
I-slices: 856 ( 0.438 %)
SP-slices: 0 ( 0.000 %)
SI-slices: 0 ( 0.000 %)

[ DRF analysis ]

average DRF: 19.412118
standard deviation: 4.829782
max DRF: 31

DRF=1: 40 ( 0.020 %)
DRF=2: 36 ( 0.018 %)
DRF=3: 207 ( 0.106 %)
DRF=4: 444 ( 0.227 %)
DRF=5: 687 ( 0.351 %)
DRF=6: 830 ( 0.425 %)
DRF=7: 2327 ( 1.190 %)
DRF=8: 2762 ( 1.413 %)
DRF=9: 5186 ( 2.652 %) #
DRF=10: 4658 ( 2.382 %)
DRF=11: 1631 ( 0.834 %)
DRF=12: 3112 ( 1.592 %)
DRF=13: 3877 ( 1.983 %)
DRF=14: 4843 ( 2.477 %)
DRF=15: 4700 ( 2.404 %)
DRF=16: 7775 ( 3.977 %) #
DRF=17: 9299 ( 4.756 %) #
DRF=18: 8333 ( 4.262 %) #
DRF=19: 12929 ( 6.613 %) #
DRF=20: 14877 ( 7.609 %) ##
DRF=21: 28377 ( 14.514 %) ###
DRF=22: 32479 ( 16.612 %) ###
DRF=23: 18028 ( 9.221 %) ##
DRF=24: 10934 ( 5.592 %) #
DRF=25: 6270 ( 3.207 %) #
DRF=26: 6526 ( 3.338 %) #
DRF=27: 2817 ( 1.441 %)
DRF=28: 687 ( 0.351 %)
DRF=29: 401 ( 0.205 %)
DRF=30: 302 ( 0.154 %)
DRF=31: 105 ( 0.054 %)
DRF>31: 0 ( 0.000 %)

P-slices average DRF: 17.377831
P-slices std. deviation: 4.955614
P-slices max DRF: 29

B-slices average DRF: 19.926632
B-slices std. deviation: 4.656115
B-slices max DRF: 31

I-slices average DRF: 15.227804
I-slices std. deviation: 4.621994
I-slices max DRF: 26

This report was created by AVInaptic (01-11-2020) on 20-06-2026 00:34:32



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