The Day Has Gone 1968 HUN MULTISUB 1080p WEB-DL x264

Category: Movies
Type: HD
Language: Hungarian
Total Size: 5.6 GB
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Last checked: Jun. 8th '26
Date uploaded: Jun. 8th '26
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The Girl

The Girl

Drama

A young woman leaves a state orphanage to find her mother in this interesting examination of how the overt repression of women in the older pattern of village life has been replaced by the more subtle exploitation inherent in the apparently freer existence of young girls in the contemporary city.

INFO HASH: E1DBB3CCF71187EF9C47AEDCDE20125BEDADAC65



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Year: 1968
Country: Hungary
Director: Márta Mészáros
Cast: Kati Kovács, Teri Horváth, Ádám Szirtes, Gábor Agárdi
IMDB: Link

Language : Hungarian
Subtitles : English, French, Spanish, Portuguese, German, Italian



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A few days in the life of a young woman searching for her identity are, in reality, a long and slow journey—both reflective and meandering. And, in 1968, such a simple film still manages to speak of revolution. The protagonist, Kati, is in fact a modern woman, free from all moral and social constraints, partly because of her status as an orphan and partly because of the era in which she lives, where new music is bursting onto the scene in the big cities and everyone works and mingles in a frantic search for equality. The opposite of what Kati finds when she goes in search of her parents in a small village in Hungary, where women still wear headscarves and men rule over everything—a world where her disheveled wandering, in her city clothes, arouses the curiosity of the young men who cannot understand her. Visually, too, the white elements of her attire set her apart from the darker mass of the villagers’ somber clothing.

Director Márta Mészáros has explored women’s emancipation in her films, and in this film she expresses a very personal desire for self-affirmation. Not only is Mészáros herself an orphan—a circumstance she shares with the protagonist—but it is also important to note that the director struggled greatly to bring this, her first feature film, to fruition, partly because she was overshadowed by the success of her husband, fellow Hungarian director Miklós Jancsó. In this regard, looking at Mészáros’s career, The Girl appears to be her most restrained and least controversial film, perhaps precisely reflecting a system of self-imposed constraints triggered by the context in which the filmmaker lived.

The Girl is a film that focuses more specifically on the search for identity. Kati searches for her roots as if they could tell her more about who she is and what her destiny will be, but when she discovers how different that world is, she abandons it to establish herself independently. However, understanding who we are is difficult, and Kati cannot figure out if her inquisitive gaze, her desire to dance, and her silhouette cutting through the surrounding space are enough to make her feel complete. She observes others to see her own reflection and find confirmation of her worth. This is evidenced by her numerous lovers and suitors, among whom she ultimately chooses the one who definitively nullifies her, as the shot of the final kiss reveals: the man’s head completely obscures Kati’s face—that face so important and prominent it fills the opening credits entirely.

This film successfully fits into a broader exploration undertaken by Eastern European filmmakers during those years, in which women’s increased freedom is accompanied by a growing sense of melancholy—a subdued and laconic mood often stemming precisely from the loss of all certainty and the difficulty of finding oneself and accepting the judgment of others. Mészáros portrays this tension through a seemingly innocuous, simple film in which a young woman wanders the world, weaving small relationships and constantly shifting perspectives, yet always accompanied by the same wit framed by her raven-black, boyish haircut. This is why, when we ask ourselves who Kati really is, it is difficult to answer. Is she a spinner, an orphan, a woman who likes to dance, or simply a girl from Budapest? Throughout the film, it is others who provide us with answers, but never she. And her story cannot be considered concluded. (Arianna Vietina)




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[ About file ]

Name: The Day Has Gone.Márta Mészáros.1968.AMZN.WEB-DL.TEPES.mkv
Date: Sat, 06 Jun 2026 23:01:39 +0200
Size: 6,066,277,421 bytes (5785.252973 MiB)

[ Magic ]

File type: Matroska data
File type: EBML file, creator matroska

[ Generic infos ]

Duration: 01:20:08 (4808.16 s)
Container: matroska
Production date: Tue, 23 Mar 2021 15:08:47 +0200
Total tracks: 3
Track nr. 1: video (V_MPEG4/ISO/AVC) {und}
Track nr. 2: audio (A_EAC3) {hun}
Track nr. 3: subtitle (S_TEXT/UTF8) {eng}
Muxing library: libebml v1.4.2 + libmatroska v1.6.4
Writing application: mkvmerge v55.0.0 ('Waiting For Space') 64-bit

[ Relevant data ]

Resolution: 1440 x 1080
Width: multiple of 32
Height: multiple of 8
Average DRF: 29.249811
Standard deviation: 4.540338
Std. dev. weighted mean: 4.415099

[ Video track ]

Codec ID: V_MPEG4/ISO/AVC
Resolution: 1440 x 1080
Frame aspect ratio: 4:3 = 1.333333
Pixel aspect ratio: 1:1 = 1
Display aspect ratio: 4:3 = 1.333333
Framerate: 25 fps
Stream size: 5,930,360,247 bytes (5655.632255 MiB)
Duration (bs): 01:20:08 (4808.12 s)
Bitrate (bs): 9867.241661 kbps
Qf: 0.253787

[ Audio track ]

Codec ID: A_EAC3
Sampling frequency: 48000 Hz
Channels: 2

[ Video bitstream ]

Bitstream type: MPEG-4 Part 10
SPS id: 0
Profile: High@L4
Num ref frames: 4
Aspect ratio: Square pixels
Chroma format: YUV 4:2:0
PPS id: 0 (SPS: 0)
Entropy coding type: CABAC
Weighted prediction: P slices - explicit weighted prediction
Weighted bipred idc: B slices - implicit weighted prediction
8x8dct: Yes
Total frames: 120,203
Drop/delay frames: 0
Corrupt frames: 0

P-slices: 31780 ( 26.439 %) #####
B-slices: 86018 ( 71.561 %) ##############
I-slices: 2405 ( 2.001 %)
SP-slices: 0 ( 0.000 %)
SI-slices: 0 ( 0.000 %)

[ DRF analysis ]

average DRF: 29.249811
standard deviation: 4.540338
max DRF: 40

DRF<16: 0 ( 0.000 %)
DRF=16: 4618 ( 3.842 %) #
DRF=17: 328 ( 0.273 %)
DRF=18: 350 ( 0.291 %)
DRF=19: 529 ( 0.440 %)
DRF=20: 941 ( 0.783 %)
DRF=21: 1485 ( 1.235 %)
DRF=22: 1982 ( 1.649 %)
DRF=23: 2335 ( 1.943 %)
DRF=24: 3105 ( 2.583 %) #
DRF=25: 4402 ( 3.662 %) #
DRF=26: 6028 ( 5.015 %) #
DRF=27: 6977 ( 5.804 %) #
DRF=28: 8644 ( 7.191 %) #
DRF=29: 11334 ( 9.429 %) ##
DRF=30: 12202 ( 10.151 %) ##
DRF=31: 13136 ( 10.928 %) ##
DRF=32: 11929 ( 9.924 %) ##
DRF=33: 11273 ( 9.378 %) ##
DRF=34: 9971 ( 8.295 %) ##
DRF=35: 5959 ( 4.957 %) #
DRF=36: 1706 ( 1.419 %)
DRF=37: 600 ( 0.499 %)
DRF=38: 211 ( 0.176 %)
DRF=39: 155 ( 0.129 %)
DRF>39: 3 ( 0.002 %)

P-slices average DRF: 27.882945
P-slices std. deviation: 4.429393
P-slices max DRF: 39

B-slices average DRF: 29.871585
B-slices std. deviation: 4.418366
B-slices max DRF: 40

I-slices average DRF: 25.073181
I-slices std. deviation: 4.109374
I-slices max DRF: 35

This report was created by AVInaptic (01-11-2020) on 7-06-2026 02:41:01



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